Gideon Efrat, Gideon Efrat’s Archives: ‘What drives Orit Hofshi ?’, October 2025 [Heb]
The Jerusalem Post: ‘The Medium and the Message: Six Centuries of Printmaking’, September 2025
Neria Barr, The Jerusalem Post: ‘A temple of art, resilience, and renewal’
Karen Wilkin, The Wall Street Journal: ‘The Best Art of 2024: Emphasis on Italy’
Gilad Melzer, “Amidst the Emotional and brute Chaos”
Galeria, Haaretz, December 2024
Karen Wilkin, The Wall Street Journal: ‘The Anxious Eye: German Expressionism and Its Legacy’ Review: Decades of Disquiet,
April 2024
Ms. Hofshi confronts us with an enormous multi-panel work dealing with migration and displacement...
Angelica Aboulhosn, ARTFORUM Critic's Pick: The Anxious Eye: German Expressionism and Its Legacy, April 2024
Mark Jenkins, The Washington Post: German expressionists mined the anxiety of war — and the vibrancy of life, March 2024
Ralf Borchard, BR24, Expressionismus - Ausstellung: Deutsche Angst in den USA, February 2024
National Gallery, Art & Society: What is German Expressionism? 8 Things to Know, February 2024
Alice Gauvin: Early Optimism Yields to Undiluted Draughts of Anguish in National Gallery’s Exploration of German Expressionism’s Legacy, February 2024
German Expressionism’s Response to Changing World Explored in National Gallery of Art Exhibition, September 2023
National Gallery of Art Announces Victoria P. Sant Fund for Women Artists, October 2022
National Gallery of Art, Washington DC Acquisition: Orit Hofshi, April 2022
Time...thou ceaseless lackey to eternity, 2017
National Review, By BRIAN T. ALLEN, International Fine Print Dealers Association, May 2021
The Fine Art Print Fair Delivers Old And New Beauties
Cate McQuaid, Art Blossoms into ‘Paradise’ at Cade Tompkins Projects, The Boston Globe, March 2021
'Paradise' at Cade Tompkins Project
Sarah Kirk Hanley, Orit Hofshi: Deep Time, Art In Print Magazine, from Volume 9 #4, November-December 2019
Orit Hofshi: Deep Time, Sarah Kirk Hanley
The Center for Contemporary Israeli Art and Memorial, Tivon, May 2019
"Black Smoke, White Smoke", Orit Hofshi And Dror Ben Ami
The Metropolitan Museum of Art Acquires work by Orit Hofshi, 2019
https://us3.campaign-archive.com/?e=&u=f8858a0fd39b847d9164f3633&id=d948bcf565
Hagit Peleg Rotem : interview with Orit Hofshi, March 2019
Portfolio Magazine, March 2019
Orit Hofshi & Mahmood Kaiss@ Contemporary Zemack, February 2019
Hagay Hacohen, A Celebration of Israeli Printmaking, The Jerusalem Post, September 24, 2018
https://www.pressreader.com/israel/the-jerusalem-post/20180925/281496457206654
Eitan Buganim
How did Jacob Pins influence other artists, Galeria Haaretz, April 2017
East Contemporary Art
Danubiana Meulensteen Art Museum: Orit Hofshi “Crossing“, April 2017
Scratch into the black mirror, Rosenfeld Gallery, November 2016 Galeria, Haaretz
Yona Fischer
Hundred Years of Israeli Art, Discount Bank Collection, 2016
Kunst im Deutschen Bundestag Kein fernes Land
Künstler aus Israel im Deutschen Bundestag, 2015
Angela Levine
Changing Perspectives at the Haifa Museum of Art, Midnight East, May 2015
Weighted woodcuts, February 2015
Tal Dekel
Julia Villaro
“Artistas de todas partes crean aqui'”Clarin, October 2013
Orit Hofshi
“Upon this Bank and Shoal of Time”, “Print Time” Tefen Museum, September 2013
Leah Ollman
Scarlet Cheng
“Editorial Previews”Orit Hofshi, Shulamit Gallery, Venice CA, ArtSceneCal, June 2013
Alumni Stories
“PAFA Stories of Success, Accomplishment and Passion” Preview PAFA, Autumn 2012
Angela Levine
“Lightening up Edvard Munch- Israeli Artists Share His Space” Midnight East, August 2012
Irith Hadar
Munch show Catalogue “Exhibition covering fifty years of Edvard Munch’s prints on view at the Tel Aviv Museum” ArtDaily.com, 2012
Galya Yahav
“Encounters in Edavrd Munch’s space” Haaretz, July 2012 [In Hebrew]
Edith Newhall
“See Hofshi” Philadelphia Inquirer, April 2012
Amze Emmons
“Orit Hofshi at Locks Gallery” Printeresting.org, March 2012
Marilyn MacGregor
Charles Schultz
Edith Newhall
Andrea Packard
Realism and Resilience in the Art of Orit Hofshi, 2011
Julien Robson
Anne Sassoon
Jerusalem Report, “German Expressions in Galilee” , 25 April 2011
Smadar Sheffi
“When the flawed becomes exquisite” Haaretz, 16 July. 2010 [In Hebrew]
Deborah Ripley
ArtNet Magazine, “Paper Chase”, February 2010 – Image
Mara Hoberman
Critics’ Picks ArtForum Magazine, “The Graphic Unconscious”, Feb 2010
Ken Johnson
The NY Times, “What Is Printmaking Today? Philadelphia Dares to Ask”, February 2010
Faye Hirsch
MultipalesM The Open Print, Art in America Magazine, pp. 67-74, APR2010 Issue, Philagrafika
Gigi Lamm
Edward Sozanski
The Inquirer, “Art: Philagrafika: Varied impressions”, February 2010
Amze Emmons
Philagrafika 2010: PAFA, printeresting, March 1st, 2010
Florence Shu
“Philagragfika 2010 ,” Artist Magazine, March 2010 pp. 176-183, Taipei, Taiwan
Printmaking Today
In Focus – Orit Hofshi, Vol 18 No.4 Winter 2009, Cello press London, UK. Page 2, Page 3, Page 4
Smadar Sheffi
Art critic – Article in Haaretz Online, October 20, 2009
Patrick T. Murphy, Curator: 'The Situations of Orit Hofshi', 2009
Timna Seligman, Curator Israel Museum: 'Two Conversations with Orit Hofshi', 2009
Jose Roca, Curator of Contemporary Art, Philagrafika | Blog: 'Interview - Orit Hofshi', 2009
Heidi J. Gleit, Editor, ERETZ Magazine: 'Carved in Wood', 2009
Julien Robson, Curator of Contemporary Art, artblog: 'Whole lotta shaking going on at PAFA', 2009
Hagit Peleg-Rotem, Globes Magazine: 'Ori Hofshi - Ephemeral Passage', 2009 [Heb]
Her drawing and carving on woodblocks create cascades and ripples of motion on paper…
Jose Roca, Artistic Director, Philagrafika 2010, Art on Paper Magazine: ' Orit Hofshi', 2008
Timna Seligman, Curator, Jerusalem Israel Museum: 'The Disenchanted Forest', 2006
Uzi Tzur, Haaretz: 'Kairos - Orit Hofshi', 2006 [Heb]
Dan Miller, Pennsylvania Academy of the Fine arts: 'The Woodcut: Meaning and Mission', 2004
Orit’s drawing and cutting were free, expressive and explorative from the first...
Faye Hirsch, International Print Center New York: 'Play Print', 2003
Orit Hofshi worked in the tried-and-true technique of rubbing her carved woodblocks with a spoon...